タグ: Unesco World Heritage Pakistan

07.02.2023 update

The Creatures Depicted on the Indus Seal, Mohenjodaro

I’m sure there are many people who like this design of the Indus Seal. In fact, this is one of the sources of inspiration we used to make the Indus Caravan logo.

Often, a representative motif is this Zebu. It is often called the “Indus cow” and it is drawn with reverence as a god.

There are traces of ink on the seal, evidence that the seal was used as a stamp like a Japanese Hanko would be used. Seals have been found excavated in Mesopotamia and the Arabian Peninsula, with the motifs and lettering of Indus Seals. This proves that trade between Mesopotamia, the cities of the Gulf Coast, and the Indus Civilization which is of great interest to archeologists around the world.

Well, I love animals. So, I collected “creatures depicted on Indus Seals” that I found from the exhibits of the Mohenjodaro Museum.

There are animals depicted that do not really exist. The unicorn seems to have been a popular motif. Perhaps that is an incense burner in front of the unicorn?

The seals often have 2 to 5 characters, which are still mysterious characters that have still not been deciphered yet.

This creature has multiple heads, of either a unicorn, cow, gazelle or ibex. It is exciting, isn’t it?

This creature with the armored body is a rhinoceros. Even though there are no rhinos in Pakistan today (extinct), it seems they used to live there long ago.
Today, in the entire Indian subcontinent, Rhinoceros (Indian Rhinoceros) live only in Kaziranga National Park, in northeast India and Chitwan National Park, in Nepal’s Tarai Lowlands. It has gone extinct in the neighboring countries of Bhutan and Bangladesh as well.

Indian Rhinoceros seal.

This seal depicts an engraving of an Elephant. The Asian elephant has become extinct in Pakistan, but it is said that they used to be distributed all the way to Western Asia.

This image is probably a tiger. The Bengal Tiger also is no longer found in modern Pakistan, but once lived along the Indus Valley.

This too, must be a tiger image. 

Besides the seals, I also found an ibex drawn on the pottery. It seems to depict a Sindh Ibex adorned with beautiful horns.
At the Mohenjodaro Muesum, I was fascinated by their exhibit on the Indus Seals.

Photos & text: Mariko SAWADA

*For inquiries and consultation, please go to Indus Caravan

＊Please follow us on Youtube, Instagram & Facebook

Category : - Indus Civilization > - Mohenjodaro > - Monument / Heritage of Sindh > ◆ Sindh > ◇ Heritage of Pakistan > ◇ Museum of Pakistan
Tag : , , , , , , , , , , , , , , , , , , ,
21.01.2023 update

Mohenjodaro (2)

These are the Mohenjodaro ruins after flood damage in the summer of 2022. At its peak, it is estimated that up to 40,000 people lived here between 2500 BC and 1800 BC, but for some reason it declined. There are various theories as to why, such as that the flow of the Indus River changed, or an invasion by a different region, but the flood of 2022 left the city damaged again.

Photography by Yuka Fujimot, Oct 2022Restoration work was underway in the areas damaged by the flood.

A donkey cart carrying bricks for repair. By 2000 BC, cities in the Indus civilization had already started using standardized baked bricks. Baked bricks were introduced earlier in the cities of the Indus civilization, compared to the Mesopotamian and Yellow River civilizations. Even today, you can see the work of making baked bricks in the farming villages around Mohenjodaro. They still use the same brick construction as used in the Indus Civilization era, to this day.

Thick brick walls that form the streets between houses (DK Area).

In the DK area, which is said to have been an urban area, there is a building that is thought to have been an “aristocrats’ house.” It is thought that this chimney-like “well” was able to draw water from the second floor of the house.

This is the sewage system of the SD area, also called the Citadel District.

It seems they even had stones to cover the sewage system.

This is a scene of the SD area that represents Mohenjodaro. What is thought to have been a “bathing pool” and the drainage system from it. It is a very gorgeous site that inspires the imagination with a Gandharan Pagoda at the peak of this city.

It is said that Bitumen (asphalt) was used to help waterproof the walls of pools in this bathing area. It is on display at the Mohenjodaro Museum.

By the way, my recent passion is seeing the sunset at Mohenjodaro.

The city ruins in the light of the setting sun. Due to the flood damage this year, the waterlogged fields could be seen shining beyond the grounds.

 

Photos & text: Mariko Sawada

Visit: Nov 2022, Mohenjodaro, Sindh

*For inquiries and consultation, please go to Indus Caravan

*Please follow us on Youtube, Instagram & Facebook

Category : - Mohenjodaro > - Monument / Heritage of Sindh > ◆ Sindh
Tag : , , , , , , , , , , , , , ,
26.05.2022 update

Appreciating the Remaining Rock Art & Lamenting Their Impending Loss (Part 1)　Meandering Along the Karakorum Highway

I will introduce photos of the rock paintings I came across during my November 2021 visit, traveling along the Indus River. This blog will be broken up into several parts to cover the many different things I saw.

～～～～～～～～

In northern Pakistan, on the banks of the Indus River -from Shatial to Hunza, there are said to be more than 50,000 historic rock paintings that remain. These rock paintings mark the places where travelers crossed the Indus River, as they traveled along the Silk Road. When the Indus River waters were too precarious, travelers were forced to wait on the banks until the water levels fell enough to be able to make a safe crossing. While they waited, these carvings in the rocks were made by the various travelers, pilgrims, and merchants who were from all over. Most of the themes of the pictures relate to Buddhist traditions, but there are various motifs of animals (such as Ibex ,snow leopard) carved perhaps before Buddhism passed through this area. There are various ethnic groups represented based on the written languages as well, such as Kharosthi, Sogdian and Brahmi engraved.

A  bridge crossing over the Indus River

A modern bridge crossing over the Indus RiverWith most of the regular sightseeing tours being lead to Hunza and in this area, due to strict travel restrictions on the times allowed between destinations, you cannot take much time to make stops to see the rock art along the Karakorum Highway, as you could in the past. Last year, I made a research tour in November, taking time to stay in Chilas for a few nights, allowing me time to take leisurely tours of the riverbank to inspect and record the rock art I saw.

I was so shocked that there were so many rock paintings along the Karakorum Highway, places that I had so many times before, usually only passed on the road, without a thought. These photos were taken at Hudur, which is about 20 minutes west of Chilas along the Karakorum Highway.

Rock art of a pagoda with the flags fluttering in the wind

There are many places outside of Hudur where you can see many pagodas depicted in the rock art, probably made during the Kushan Dynasty in the height of Buddhism being spread across many different regions, and the various people who came from all over, as they travelled along the Silk Road.

A person reaching out with both hands, holding objects

A person holding a piece of armor in his left hand and a hunted animal in his right hand. This type of design, in which a person is drawn facing straight forward with the objects held in both hands held high, is one that has long been used in West Asia.In Gichi, just 10 minutes east of Hudur, there were many rock paintings of pagodas. Perhaps this is because many Buddhists stayed there, or because these relics were left untouched in the area.

Rock art of a pagoda that remains in Gichi-1.

In Oshibat, located about 10 minutes further east of Gichi, as soon as you get off the bus, you can see rock art scattered here and there. There were many there, but each one was very interesting and aroused my curiosity.

Rock art with an ibex image on the lower right side

On the lower right side you will clearly see the long-horned Ibex, and then to the left side, perhaps a hunter who is chasing it, looking very dynamic and looks like they are running.

Rock art with handprints and footprints

I’m not sure if it’s out of pure boredom, just waiting for the river water to go down, perhaps it is an old type of graffiti being carved, or perhaps it has a more mystical meaning. It is unclear.

Rock Art depicting what could be a Greek person

Painted with what appears to be a tool of some sort, this figure has a Greek-hairstyle and is painted in a Greek-style.

A figure that seems to be Greek

Drawn with the face in a side profile, the heavily emphasized eyes, the long fluttering hair and the type of wear that is similar to the image of Alexander the Great (in the next image).

A mosaic of Alexander the Great

This mosaic of Alexander the Great (Historical Museum of Sughd, in Khujand, Tajikistan) riding his steed Bucephalas.The next photo is of rock art that is located only 5 minutes by bus from the Shangrila Hotel, where I stayed in Chilas. I have visited this site on general sightseeing tours to Hunza and nearby locations many times before. But when I took more time to look around, I found a very detailed and expertly carved pagoda designs.

Rock art of a pagoda
A very detailed Buddha and pagoda drawn into the rock art near the Indus River

All of this rock art will sadly, be destined to be flooded by a dam, which is going to be completed around 2027. Some rock paintings will be relocated and preserved, but most of the more than 50,000 pieces, will be left behind and submerged by the river. I would like to continue to introduce you to the precious rock art that will be lost in the next installments of this blog.

 

Photo & text : Koji YAMADA

Visit : Nov 2021, Chilas area, Gilgit-Baltistan

Category : - the Karakoram Highway > ◆ Gilgit-Baltistan > - Indus river bank > ◇ Rock carvings / Petroglyph > ◇ Heritage of Pakistan
Tag : , , , , , , , , , , , , , , , , , , , , ,
20.08.2021 update

（Video）The Wazir Khan Mosque

One of the 17th Century Mughal Heritage Sites in Lahore’s Old Town is the Wazir Khan Mosque.

Built during the reign of Emperor Shah Jahan, the intricate faience tile decoration of the courtyard façade, called “Kashi-Kari,” incorporates the Persian architecture of the time. Frescoes fill the interior of the mosque’s main prayer hall.

Since 2009, this mosque has been one of the tourist highlights of Lahore, due to extensive restoration work done funded by the Punjab Government and the Aga Khan Cultural Fund.

 

Wazir Khan Mosque LAHORE

 

Videograhy : Mariko SAWADA

Visit : Feb 2020 , Lahore, Punjab

Category : = Video Clip Punjab > - Monument / Heritage of Punjab > ◆ Video Breathtaking Views of Pakistan > ◆ Punjab > - Lahore
Tag : , , , , , , , , , , , , , , ,
06.01.2021 update

Petroglyphs of Shatial (Karakoram Highway)

Please visit our latest blog about Shatial Petroglyphs with more detail(2023)

Heading north on the Karakoram Highway as you enter Gilgit-Baltistan, the famous Buddhist archeological sites can be found between the Tangir and Darel Valleys. It is called the Shatial Rock Art Carving/Petroglyphs.

Since ancient times, this area was the point known as the “Old Silk Road” where the Indus River connects to the other valleys as a junction or crossroads.

Shatial has long been famous as a location for the “Ancient Buddhist Rock Carvings,” but even before these carvings were there, the tradition was for travelers, such as merchants and pilgrims, passing through Central Asia would carve their names and times into the rocks. These images of ancient characters (Sogdian or Bactrian) can be found near the bridges of Shatial.

 

People graze their goats along the banks of the Indus River. Rocks that were weathered down by water and time into sand. This is a place where people used to come to look for gold, but not so much anymore.

 

Taking the bridge that hangs over the Indus River in the Tangir Valley. Travelers from afar would cross this river during the winter months when the water was low, etching their footprints in the riverbanks. During the Buddhist era, monks and pilgrims would make their way to  “Gandhara.” They carved the Jataka tales and Stupas into the large rocks, creating an alter on the riverbanks.

 

The bridge of Shatial and Art Rock Carvings. Depicted is a stupa and the form of a Buddha carved into the stone.

 

Motifs of ibex are also engraved on the upper right. Ibex only live in elevations of 3,000m or higher so possibly the travelers saw them on the way along the Hunza River as they crossed the Hindu Kush – Karakoram Mountain range. There are no dates or names of the artists included with each carving, but these are precious relics that pay tribute to the history and people who have lived here since ancient times.

 

Sadly, the scenery along the Indus river is about to change.

There are two major projects to build dams between Besham and Chilas along the Karakoram Highway. There will be the Dasu Dam and Daimer Basha Dam Hydroelectric Power Plants installed along the river.
Although this plan has been in place for a long time, the construction is proceeding at a very fast pace as there is a shortage of power. This is following a decision to cancel the plans for a coal burning power plant.

Parts of the Karakoram Highway and some villages will be submerged, but along with that the historical features and the lifestyle of the people who live along the Indus river will also be forever altered. It is a great pity that such scenery along this great river will be lost.

Some of the main rock paintings will probably be relocated, but many of them will be submerged.

How much time does this scenery have left?

It was hard to get to and such a long-distance trip to get to see the Karakoram Highway and landscape. But it is in its final countdown.

Will this end up being only a precious memory?

 

Photo & Text : Mariko SAWADA
Visit: Dec 2020, The Karakorum Highway, Shatial, Gilgit-Baltistan

Category : ◆ Gilgit-Baltistan > - the Karakoram Highway > - Indus river bank > ◇ Rock carvings / Petroglyph
Tag : , , , , , , , , , , , , , , , , , , , ,
23.11.2020 update

Bazaar of Landi Kotal

Landi Kotal is a small town, found on the way from Peshawar to the Afghanistan border town of Torkham.  Located in the former Federally Administered Tribal Areas (FATA), it was once known as the “Smuggling Market,” known for trading goods like appliances and car parts into smuggled items like weapons and narcotics. When I first visited around 1992, I was surprised to see chocolate-shaped narcotics lined up in stores.
Now the status of the “Smuggling Bazaar” has disappeared and it is a normal market for rural Pashtun tribes.

 

The shop owners call out ‘Hello! Hello!’ to try to earn some business.

 

When a foreigner pass them by, everyone pays attention! It really reminded me of old Pakistan.

 

The Pashtun officer who accompanies us, took us to a local butcher shop and request some popular Landi Kotal Domba Sheep. These unique sheep have a big butt which is a delicacy for the locals.

 

We purchased a cut of meat and it was grilled over charcoal.

 

This is a typical Domba sheep lunch. We ate it along with a the local green tea called Kahwa Tea!
By the day, I did not see any women, the whole day.

 

Photo & Text : Mariko SAWADA

Visit : Oct 2019, Landi Kotal, Khyber-Pakhtunkhwa

Category : - Peshawar / Khyber Pass > ◆Khyber Pakhtunkhwa
Tag : , , , , , , , , , , , , , , ,
13.11.2020 update

Lahore’s Old City Walk

Lahore Walled City Bazaar

 

Our friends from Switzerland and Mexico went for a stroll through the Old City of Lahore.

The Old City of Lahore, also known as the “Walled City of Lahore,” was established about 1000 years ago as a fortified town surrounded by mudbrick walls and gates. During the Mughal Empire, it prospered as the capital city.

Currently, only a part of the city walls remains. However, since 2012, developments have transformed the Old City into a tourist destination, with the cooperation of the Norwegian and US governments. From the Delhi Gate to the Wazir Khan Mosque, tourists can now enjoy the exciting “Old City Walk”!

 

Video & text: Mariko SAWADA

Visit: Mar 2020, Lahore, Punjab

Category : = Video Clip Punjab > ◆ Video Breathtaking Views of Pakistan > - Monument / Heritage of Punjab > ◆ Punjab > - Lahore
Tag : , , , , , , , , , , , , , , , ,
23.10.2020 update

(video) Lahore Fort – History by Night

History by Night at Lahore Fort on the weekend evening.

Although held in Urdu for the general public in Pakistan, this is the only way to enter the illuminated treasure of Lahore Fort, Sheesh Mahal.

 

Video & text : Mariko SAWADA

Visit : Mar 2019, Lahore, Punjab

Category : = Video Clip Punjab > ◆ Video Breathtaking Views of Pakistan > ◆ Punjab > - Lahore > ◇ Heritage of Pakistan
Tag : , , , , , , , , , , , , ,
23.08.2020 update

The Fusion of Eastern and Western Civilizations in Gandhara (Peshawar Museum Exhibitions)

Gandhara’s art is strongly influenced by many civilizations and art influences such as Greece, West Asia, Persia (Iran), India, and more. The first Greek civilization in the 4th century BC, was brought to the Gandhara region with Alexander the Great in the Great Expedition to the East. This is when the fusion of the Greek and Orient civilizations, was born and is now called the Hellenistic civilization.

Gandhara art reached its peak in a later period, in the 1st to 5th century AD with the Kushan dynasty. Buddhism, which was born in India, so alongside the Buddhist statues met with the Western gods and elements of both were incorporated into Gandhara Buddhist art.

This sculpture is of the Greek god Atlas, that appeared in Gandhara.

 

Atlas, the mythological Greek god that supports the sky at the western end of the world. In Gandhara, Atlas sits at the pedestal of the Buddha’s stupa and supports it. The Greek god that supports the Buddhist’s worldview…what a wonderful thought!

 

This is the Centaur, a half-horse monster that appears in Greek mythology.

The upper part of the body is human, the lower part of the body is a horse’s forelegs, and the rear part is a swirl-shaped tail fin like that of Trītōn (the son of Poseidon, the god of half-man and half-fish)

Centaur and Trītōn motifs often appear in right-angled triangular panels that are thought to have decorated the corners of buildings.

 

This is Vajrapāṇi (one of the Bodhisatvas in Mahayana Buddhism), who holds in his hand the Vajra (a weapon that symbolizes both the property of a diamond and a thunderbolt).

Its origin is Hercules, a hero of Greek mythology. Hercules, who assisted Kings with his awesome power, is depicted in the Gandhara as a guardian deity who is always beside the Buddha.

Hercules of Gandhara carries with him a Vajra, but the Hercules of Greece often has a club in his hands.

 

This piece shows a festoon pattern. A young man holding a wavy festoon (garland of flowers), which originated in Greece and Rome, and was very popular in Gandhara.
The cupid seems to carry the raised part of the festoon, and the lower part is decorated with grapes and a ribbon.

 

This is Hārītī and Pāñcika. Hārītī is both a goddess and a demon in the Buddhist tradition.

Hārītī was at first a cannibal demon that kidnapped and ate children. After the Buddha taught her a lesson about how parents suffer from the loss of their children, she became a “protector of children” and started to love both her own children and all others. In addition, since Hārītī had about 500 or 1,000 of her own kids, she is also a “guardian of safe childbirth.” She adorns pomegranate flowers on her hair, which is also a symbol of “fertility.”

This Hārītī looks like a Greek goddess, because it is based on the goddess of fate, Tȳchē in Greece.

 

The style of pillars that appear in Gandhara is generally the Greek Corinthian style decorated with acanthus leaves. However, the one pictured is another style that you might see in Gandhara.

At the top of the column, two humped cows are placed back to back, with (what is thought to be) a lion’s head in the middle of the design. This is the principle style of the capital (topmost part of the column) of ancient Persia (Iran) and can be seen in the ruins of Persepolis.

 

And this animal is a lion. Maybe you might think that a lion is an African animal, but at that time, there were “Asian lions” in Pakistan.

The relief of “the Lion Hunt” drawn on the ruins of Mesopotamia and the lion drawn on the ruins of Persepolis in Iran are famous, but this example is a lion in Gandhara art.

Although the wild Asian lions are now extinct in Iraq, Iran and Pakistan, they still live in the forests of Sasan Gir National Park, in Gujarat, India. There are about 500 of them!

 

Photo & text: Mariko SAWADA
(The photos are from a trip in Oct 2019 – Feb 2020)
Location: Peshawar Museum, Peshawar, Khyber Pakhtunkhwa

Category : - Peshawar / Khyber Pass > - Gandhara > ◆Khyber Pakhtunkhwa > ◇ Heritage of Pakistan > ◇ Museum of Pakistan
Tag : , , , , , , , , , , , , , , ,
13.08.2020 update

Peshawar Museum

The Peshawar Museum has the best collection of Gandhara historical artifacts. Most of the exhibits are about Gandhara art and there are so many Buddhist biographical panels and decorations, there isn’t enough time to look through them all.

Like all other museums, this museum dates back to the days of the British Indian Empire and was built back in 1907 with the “Victoria Hall” to commemorate Queen Victoria.

 

This is the main hall of the Peshawar Museum. The Gandhara arts are exhibited in the gallery from the hall to the left of the entrance.

This exhibit featured unearthed sculptures from archaeological sites centered around Swat, like items found on the walls of the monasteries and from the base of stupas.

They express the stories of the Buddha (also called Jataka tales) and various scenes from the Buddha’s life. There are many exhibits and even if it is in the same scene, they have many different styles, so take the time to explore the museum, at your own pace.

 

This is “The Birth” panel. Maya (the Buddha’s mother) is in the center, with her right hand extended up and grabbing the tree, the prince is protruding from her upper body on the right side. The God Indra receives him and behind him is the Brahman God blessing him.

The panel of “The Life of the Buddha” is drawn with various motifs from “birth” to “nirvana.”

 

Among the Jataka tales, Gandhara had a very popular story with the Dīpankara Buddha (Buddha of the past).

“One day, when the godly young man, Sumedha (also known as Megha, is actually Shakyamuni in a previous life) heard that the Buddha was coming to town, he was eager to offer flowers to the Buddha, but when he tried to buy flowers, the King had already bought all of them, so he couldn’t purchase any. He met a girl passing by carrying water and flowers, and he convinced her to sell her 5 lotus flowers. When the Buddha appeared, Sumedha threw the flowers just like everyone else, but his 5 flowers did not fall to the ground, but instead floated in the air and decorated the Buddha’s head as a halo (numbus). Seeing some mud on the ground in front of the Buddha, Sumedha then prostrated his body and threw out his long hair to cover it, so that the feet of the Buddha would not get dirty in the mud. The Buddha then blessed Sumedha saying ‘You will be enlightened in the future and become a Buddha.’

In the panel on the photo, there is the young man, Sumedha, who throws his hair, left of center of the panel.

 

One of the most important exhibits of this museum is “The Fasting Siddhartha” statue. Compared to the one in Lahore’s museum, there are many missing parts, but the blood vessels and supporting bones are very realistic.

 

A statue of Siddhartha meditating under the tree (his first meditation).

While the prince watched a field under a tree, there were insects which emerged from the soil after it was dug up with a hoe; when a small bird eats the bug; then a large eagle in turn eats the bird. It was an event that made him feel the transience of life and later led to his enlightenment.

The pedestal is engraved with the signs of the first spring cultivation. It is a little difficult to see in the photo, but on the right side of the pedestal there are two cows plowing the field.

 

And another famous object in the Peshawar Museum, this is the casket for King Kanishka from Shah-ji-ki Dheri excavations.

The winter city of Gandhara during the Kushan period was Purushapura, now part of Peshawar. The only archaeological site found here is Shah-ji-ki Dheri, known as the Kanishka stupa. The casket was found from this site, and it was written in the Kharosthi script that it was “…this perfume box is the meritorious gift of Maharaja Kanishka in the city of Kanishkapura.” It was a discovery that proved that the legendary stupa actually existed.

So, is this the real thing? Based on the photos from the internet, it’s probably a replica.

 

The Peshawar Museum has two floors. The 2nd story is an exhibition of the various ethnic groups of Khyber Pakhtunkhwa. In particular I found the Kalash wooden statues “Gandao” (made to commemorate the memory of dead men, their contributions, and achievements) is a precious collection because well preserved ones can no longer be found in the Kalash Valley.

 

Photo & text: Mariko SAWADA
Location: Peshawar Museum, Peshawar, Khyber Pakhtunkhwa

Category : - Peshawar / Khyber Pass > - Gandhara > ◆Khyber Pakhtunkhwa > ◇ Heritage of Pakistan > ◇ Museum of Pakistan
Tag : , , , , , , , , , , , , , , , , , , , , , ,