(Video) The curious tailed sheep that I met in the Swat Valley

This is a video taken in the Swat Valley of the sheep living there.
While traveling the Valley by car, one after another we saw groups of herders and their sheep. A typical scene in Pakistan.

 

Sheep in the Swat Valley (Pakistan)  The curious tailed sheep|

The tails are dyed with henna which I found so interesting.
The Pashtun people of Pakistan. It is a fashionable expression unique to them.

 

Sheep Tail Variations

This video features various sheep’s tails: some long and some short tails.
The Dunba sheep has no tail and its hips make a heart shape. It is a type of sheep that accumulates fat in the buttocks, a Pakistani delicacy. Namak Mandy, a restaurant district in Peshawar, is famous for Dunba cuisine.

 

And then, finally the sheep after they have been shaved…
Without hair, the sheep look so odd.

These are such curious looking sheep with very unique looks.

This photo was taken in Kashgar, China, not Pakistan. It’s a neighboring country across the border, but the Uyghur people also seem to like Dumba sheep as well.

The Swat Valley has changed a lot. In the fall of 2019, a new road was extended into the Valley. I hope the sheep continue to march along the road as they did in the past.

 

Video/photo & Text: Mariko SAWADA
*The photos and videos were taken between 2008 and 2015 in Swat, Khyber Pakhtunkhwa

 

Category : = Video Clip KPK > - Swat > ◆ Video Breathtaking Views of Pakistan > ◆Khyber Pakhtunkhwa > ◇Domestic animal of Pakistan
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The Fusion of Eastern and Western Civilizations in Gandhara (Peshawar Museum Exhibitions)

Gandhara’s art is strongly influenced by many civilizations and art influences such as Greece, West Asia, Persia (Iran), India, and more. The first Greek civilization in the 4th century BC, was brought to the Gandhara region with Alexander the Great in the Great Expedition to the East. This is when the fusion of the Greek and Orient civilizations, was born and is now called the Hellenistic civilization.

Gandhara art reached its peak in a later period, in the 1st to 5th century AD with the Kushan dynasty. Buddhism, which was born in India, so alongside the Buddhist statues met with the Western gods and elements of both were incorporated into Gandhara Buddhist art.

This sculpture is of the Greek god Atlas, that appeared in Gandhara.

 

Atlas, the mythological Greek god that supports the sky at the western end of the world. In Gandhara, Atlas sits at the pedestal of the Buddha’s stupa and supports it. The Greek god that supports the Buddhist’s worldview…what a wonderful thought!

 

This is the Centaur, a half-horse monster that appears in Greek mythology.

The upper part of the body is human, the lower part of the body is a horse’s forelegs, and the rear part is a swirl-shaped tail fin like that of Trītōn (the son of Poseidon, the god of half-man and half-fish)

Centaur and Trītōn motifs often appear in right-angled triangular panels that are thought to have decorated the corners of buildings.

 

This is Vajrapāṇi (one of the Bodhisatvas in Mahayana Buddhism), who holds in his hand the Vajra (a weapon that symbolizes both the property of a diamond and a thunderbolt).

Its origin is Hercules, a hero of Greek mythology. Hercules, who assisted Kings with his awesome power, is depicted in the Gandhara as a guardian deity who is always beside the Buddha.

Hercules of Gandhara carries with him a Vajra, but the Hercules of Greece often has a club in his hands.

 

This piece shows a festoon pattern. A young man holding a wavy festoon (garland of flowers), which originated in Greece and Rome, and was very popular in Gandhara.
The cupid seems to carry the raised part of the festoon, and the lower part is decorated with grapes and a ribbon.

 

This is Hārītī and Pāñcika. Hārītī is both a goddess and a demon in the Buddhist tradition.

Hārītī was at first a cannibal demon that kidnapped and ate children. After the Buddha taught her a lesson about how parents suffer from the loss of their children, she became a “protector of children” and started to love both her own children and all others. In addition, since Hārītī had about 500 or 1,000 of her own kids, she is also a “guardian of safe childbirth.” She adorns pomegranate flowers on her hair, which is also a symbol of “fertility.”

This Hārītī looks like a Greek goddess, because it is based on the goddess of fate, Tȳchē in Greece.

 

The style of pillars that appear in Gandhara is generally the Greek Corinthian style decorated with acanthus leaves. However, the one pictured is another style that you might see in Gandhara.

At the top of the column, two humped cows are placed back to back, with (what is thought to be) a lion’s head in the middle of the design. This is the principle style of the capital (topmost part of the column) of ancient Persia (Iran) and can be seen in the ruins of Persepolis.

 

And this animal is a lion. Maybe you might think that a lion is an African animal, but at that time, there were “Asian lions” in Pakistan.

The relief of “the Lion Hunt” drawn on the ruins of Mesopotamia and the lion drawn on the ruins of Persepolis in Iran are famous, but this example is a lion in Gandhara art.

Although the wild Asian lions are now extinct in Iraq, Iran and Pakistan, they still live in the forests of Sasan Gir National Park, in Gujarat, India. There are about 500 of them!

 

Photo & text: Mariko SAWADA
(The photos are from a trip in Oct 2019 – Feb 2020)
Location: Peshawar Museum, Peshawar, Khyber Pakhtunkhwa

Category : - Peshawar / Khyber Pass > - Gandhara > ◆Khyber Pakhtunkhwa > ◇ Heritage of Pakistan > ◇ Museum of Pakistan
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Peshawar Museum

The Peshawar Museum has the best collection of Gandhara historical artifacts. Most of the exhibits are about Gandhara art and there are so many Buddhist biographical panels and decorations, there isn’t enough time to look through them all.

Like all other museums, this museum dates back to the days of the British Indian Empire and was built back in 1907 with the “Victoria Hall” to commemorate Queen Victoria.

 

This is the main hall of the Peshawar Museum. The Gandhara arts are exhibited in the gallery from the hall to the left of the entrance.

This exhibit featured unearthed sculptures from archaeological sites centered around Swat, like items found on the walls of the monasteries and from the base of stupas.

They express the stories of the Buddha (also called Jataka tales) and various scenes from the Buddha’s life. There are many exhibits and even if it is in the same scene, they have many different styles, so take the time to explore the museum, at your own pace.

 

This is “The Birth” panel. Maya (the Buddha’s mother) is in the center, with her right hand extended up and grabbing the tree, the prince is protruding from her upper body on the right side. The God Indra receives him and behind him is the Brahman God blessing him.

The panel of “The Life of the Buddha” is drawn with various motifs from “birth” to “nirvana.”

 

Among the Jataka tales, Gandhara had a very popular story with the Dīpankara Buddha (Buddha of the past).

“One day, when the godly young man, Sumedha (also known as Megha, is actually Shakyamuni in a previous life) heard that the Buddha was coming to town, he was eager to offer flowers to the Buddha, but when he tried to buy flowers, the King had already bought all of them, so he couldn’t purchase any. He met a girl passing by carrying water and flowers, and he convinced her to sell her 5 lotus flowers. When the Buddha appeared, Sumedha threw the flowers just like everyone else, but his 5 flowers did not fall to the ground, but instead floated in the air and decorated the Buddha’s head as a halo (numbus). Seeing some mud on the ground in front of the Buddha, Sumedha then prostrated his body and threw out his long hair to cover it, so that the feet of the Buddha would not get dirty in the mud. The Buddha then blessed Sumedha saying ‘You will be enlightened in the future and become a Buddha.’

In the panel on the photo, there is the young man, Sumedha, who throws his hair, left of center of the panel.

 

One of the most important exhibits of this museum is “The Fasting Siddhartha” statue. Compared to the one in Lahore’s museum, there are many missing parts, but the blood vessels and supporting bones are very realistic.

 

A statue of Siddhartha meditating under the tree (his first meditation).

While the prince watched a field under a tree, there were insects which emerged from the soil after it was dug up with a hoe; when a small bird eats the bug; then a large eagle in turn eats the bird. It was an event that made him feel the transience of life and later led to his enlightenment.

The pedestal is engraved with the signs of the first spring cultivation. It is a little difficult to see in the photo, but on the right side of the pedestal there are two cows plowing the field.

 

And another famous object in the Peshawar Museum, this is the casket for King Kanishka from Shah-ji-ki Dheri excavations.

The winter city of Gandhara during the Kushan period was Purushapura, now part of Peshawar. The only archaeological site found here is Shah-ji-ki Dheri, known as the Kanishka stupa. The casket was found from this site, and it was written in the Kharosthi script that it was “…this perfume box is the meritorious gift of Maharaja Kanishka in the city of Kanishkapura.” It was a discovery that proved that the legendary stupa actually existed.

So, is this the real thing? Based on the photos from the internet, it’s probably a replica.

 

The Peshawar Museum has two floors. The 2nd story is an exhibition of the various ethnic groups of Khyber Pakhtunkhwa. In particular I found the Kalash wooden statues “Gandao” (made to commemorate the memory of dead men, their contributions, and achievements) is a precious collection because well preserved ones can no longer be found in the Kalash Valley.

 

Photo & text: Mariko SAWADA
Location: Peshawar Museum, Peshawar, Khyber Pakhtunkhwa

Category : - Peshawar / Khyber Pass > - Gandhara > ◆Khyber Pakhtunkhwa > ◇ Heritage of Pakistan > ◇ Museum of Pakistan
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Takht-i-Bahi, Ghandara’s Buddhist Monastery

The ruins of Gandhara include city ruins like Taxila’s Sirkap and Buddhist temples secluded deep in the mountains. Takht-i-Bahi is a typical example of Buddhist temples built during this time. Takht-i-Bahi is 80 km (50 miles) northwest of Peshawar and 15 km (9 miles) from the town of Mardan and has been a well-preserved archaeological site since long ago.
In the 1 – 7th Centuries AD, Gandhara art had reached its peak in the Kushan Dynasty with the flourishing Buddhist temples. The (winter) capital of this era was Purushapura, which today, is known as Peshawar.

 

The Takht-i-Bahi Buddhist site was built on a mountain, rising 150m (492 feet) above the plains. Walking up the well-maintained stairs, you will arrive at the archeological site and at the entrance of the dedication tower area.

This photo of the wall of the ruins was taken just at the entrance. The upper section is an unrestored wall from the Gandhara era, but the white line shows the lower part, which is engraved with “A.S.I 1946” by archeological teams. “A.S.I.” stands for the “Archaeological Survey of India,” which worked to excavate and restore the site back during the British Indian Empire in 1946, before India and Pakistan separated.

 

The ruins of Takht-i-Bahi still retain the structure of the typical Gandhara Buddhist Temple, which includes the Main Stupa Court, the votive Stupa court, the monastery, meditation room and other structures.
Touring this site on foot, we came to this Stupa court, as the first thing we saw. There are 35 consecrated stupas lined up in a row between the South Tower and the North Monastery. Now, only the base of the structure is left. The base is decorated with Greek styled columns.

 

The votive Stupa Court
Of the 35 holy stupas, 2 are round base and the rest are rectangular in shape.

 

This is the monastery. There were 15 small cells surrounding the courtyard, each cell having a wall with a lamp on it, and some having a second floor. There is also what looked to be the remnants of a kitchen on the edge of the courtyard.

 

This is the Main Stupa. As you go up the stairs, you will see a square, then there is a 6.2m (20.3 foot) platform for the Main Stupa. There are shrines lined up on all three sides of this stupa, and stucco statues were placed in the wall of shrines.

 

This is a shrine near the stairs to the Main Stupa. The three sides are walled off and back in those days it was probably covered with stucco statues.

 

A basement area that is most likely a meditation room. The small room is pitch-black, but it connects to the bright courtyard.

This is the base of the stupa court where the caretaker lives. You can see the stucco of an Acanthus leaf sticking out from the top of the column. There is even still some color left.

 

If you climb up the mountain a little more, it leads to the observatory overlooking the ruins of Takht-i-Bahi and the town below. There are still many other buildings visible from here, so it is impressive to think what a huge Buddhist temple Takht-i-Bahi used to be.

 

Photo & text: Mariko SAWADA

(Photos are from a trip in Oct 2019, Feb 2020)

Location : Takht-i-Bhai, Mardan, Khyber-Pakhtunkhwa

Category : - Gandhara > - Takht-i-Bahi > ◆Khyber Pakhtunkhwa > ◇ Heritage of Pakistan
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(Vlog) Safe? Discovering the heart of Pakistan!Is it Safe? Discovering the heart of Pakistan! (including an insightful Travel Vlog shared by our customer)

This February, we traveled the heart of Pakistan with a Swiss and Mexican couple, Lucas and Patricia. Indus Caravan lead the trip from Lahore to Peshawar along the Grand Trunk Road, the railway made during the British-Indian Empire. Please check out the travel vlog from the eyes of a tourist traveling Pakistan, with the narration in Spanish and the subtitles in English.

Safe? Discovering the heart of Pakistan!

The insightful video takes you along the journey from Peshawar to Rhori, a riverside town to the Indus and the train station. The vlog touches on the “History and Hospitality of Pakistan” from the Mughal period, the influence of the British-Indian Empire, to now.

 

Text : Mariko SAWADA

Special Thanks to SUMMERMATTER DIAZ ENRIQUETA PATRICIA.
Please visit her website : https://elpadiro.ch/

Category : = Video Clip KPK > = Video Clip Punjab > ◆ Video Breathtaking Views of Pakistan > ◆Khyber Pakhtunkhwa > ◆ Punjab > ◇ Pakistan Railways > ◇ Pakistan Travel Tip
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”The King’s Road” Traveling to the end of Grand Trunk Road

When driving from the capital city of Islamabad to Peshawar, you might be asked “Will you take the motorway? Or the GT Road?”

This GT Road refers to the “Grand Trunk Road” the main road of the ancient Mughal Empire or “The King’s Road” Of course, it looks just like any other modern asphalt road, but it has a deep history.

In the first place, “The King’s Road” = Grand Trunk Road is an extensive network created by the Afghan dynasty Sher Shah Suri who, in the 16th Century, took power after the Mughal Empire and set about improving the roads. During the brief reign of the Suri Empire, the road from Agra to his hometown Bihar (India) was first completed. Then eastward to what is now Bangladesh, the road to Sonargaon was made. And westward to Multan, which is now Pakistan. The Mughal Empire returned and the whole Empire was expanded from the current port of Chittagong (or Chattogram), Bangladesh to the east, across the Khyber Pass to Kabul, Afghanistan, and developed into a vast Mughal Empire.

This “King’s Road” was rebuilt during the British India era. The British launched three invasion towards Afghanistan but failed to colonize it. This section from Calcutta to Peshwar, ending just before Afghanistan, was given the name “Grand Trunk Road” and it remains so to this day.
There are still remnants of the glory days of the prospering “Grand Trunk Road” that have been retained in small pockets.

Mughal Era Cobblestone Road

On the outskirts of Islamabad, there remains a cobblestone road from the Mughal Empire’s Grand Trunk Road. It can be found just beside the more modern GT Roads. The cobblestone road has the traces of wear by carriage wheels that travelled over it for so many years.

Lahore Fort (a UNESCO World Heritage Site)

The ancient capital of the Mughal Empire, Lahore. Since then, many buildings have been built on top of the original castle that remains since the Mughal era. This is a photo of the main gate at night, Alamgiri Gate. The Shah Jahan period was when the gorgeous additions were made with the famous Sheesh Mahal “Palace of Mirrors” reminiscent of the prosperous times of the Mughal Empire.

Rohtas Fort (a UNESCO World Heritage Site)

Built by Sher Shah Suri, sitting above the Grand Trunk Road. The Rohtas Fort was built by Sher Shah Suri to protect the strategic road from Peshawar to Lahore.

Caravan Serai

In the old bazaar of Peshawar, remains the caravan serai  which was a place for travelers to rest from their long journey. It was during the old days, that many merchants traveled through here and supported the vast Mughal Empire, and afterwards in colonial times as well. The Peshawar would have been a thriving place with products from all over Central Asia and India.

Khyber Gate

When traveling from Peshawar to Khyber Pass this is the monument and gate that stands at the entrance. On one side of the road is Jamrud Fort, a fort built by Sikhs who invaded an old fort and rebuilt it in 1823. In front of Khyber Pass, which connects between Central and South Asia, you can see the history of the battles that took place between various ethnic groups. After you cross the Khyber Pass, the Torkham boarder and the Grand Trunk Road continues into Afghanistan to the west.

Babur’s Tomb

The first Emperor of the Mughal Empire was Babur. Originally from Central Asia, he set up his first base of operations in Kabul, and from there, set up the Punjab Plain, and conquered India, then in 1526 he founded the Mughal Empire as the emperor, in Agra. Just 4 years later, he died in Agra. He wished to have his tomb in his beloved Kabul, so after a war and some years later his family built a tomb in Kabul. (This photo was taken during restorations of Babur Gardens, so now it is even more beautiful to visit and see the elaborate Mughal Empire’s tomb.)

After the war in Afghanistan, the tomb of Barbur was in horrible disrepair, reflective of the destruction of the great Mughal Empire’s war history. The Afghanistan’s Urban Heritage Project to develop the city and revive its cultural identity with Bagh-e Babur, Babur’s Garden. It overlooks the same city that started and ended the Grand Trunk Road.

Winter in Kabul, from the Babur Gardens with the tomb of Babur.

 

Photo & text: Mariko SAWADA

※Photos of Kabul are from 2006 and the scenery may have changed since then.
※This article is an updated version of the blog posted in “Salaam Pakistan” in June 2011.

 

Category : - Grand Trunk Road > - Monument / Heritage of Punjab > ◆Khyber Pakhtunkhwa > - Lahore > ◆ Punjab > ◇ Heritage of Pakistan
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Autumn in the Kalash Valley

After not having been able to visit in a few years, I was able to return to the valley of the Kalash people, to a village called Bumburet. Mid-October proved to be a truly beautiful time to visit with the fall colors and corn harvest taking place.

On October 16, 2019, the Royal Couple Prince William and his wife visited Kalasha Valley where they enjoyed seeing traditional dances. The social media and news was flooded with “The Royal Couple” and “Kalasha” where trending amongst the Pakistani people.

> Kalash Valley “Where did the Kalash people come from?”

>Religion of Kalash Valley

 

Taking a turn off the main road, and crossing the bridge brings you into Ayrun village. It is like traveling back in time. You will see as you enter into the village, narrow fields and the beautiful traditional Pakistan. You will eventually come to the intersection of Bumburet and Rumbur Villages.

 

The road into Bumburet village hasn’t changed. It is still the small dirt road that has pull-offs to allow two small cars to pass each other.
However, as we entered into the village, I was a little shocked at the changes I saw. The women we saw were dressed in the traditional Karasha clothing but about half of them were also wearing the shalwar kameez (national dress of Pakistan). And the number of guesthouses was a bit overwhelming.

Where did the traditional style houses go? In recent years, an increase in domestic tours and a shortage of lodges for the tourists to stay, naturally meant that the number of guesthouses increased suddenly. Most of the managers of these guesthouses are from the outside. I hoped they would build them in the traditional style to match the landscape and keep the flavor of the original village.

 

Walking on a path between the corn fields, I went to visit an acquaintance. The Kalasha children I met on the way.

 

This is the School  dress of the Kalasha young ladies. There seems to be more girls wearing scarves then before.

 

Just off the main road through the village I could see this beautiful figure taking a walk.

 

Children playing next to a cornfield where their parents are busy harvesting.

 

No on can stop change that comes with progress, but I hope that these beautiful sights can continue into the future.

 

On the way out from the Kalasha Valley, we could see the village of Ayun sitting at the base of Tirich Mir. The highest peak of Hindu Kush is Tirich Mir (or Terichmir stands at 7,708 meters) was bathed in the hues of the setting sun.

 

Photo & Text : Mariko SAWADA
Visit : Oct 2019, Bomboret Village, Kalash Valley, Khyber Pakhtunkhwa

Category : ◆Khyber Pakhtunkhwa > - Kalash Valley
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Kashmir Markhor – Gahirat Castle 1912

A lovely place to stay …  a  hotel introduced by a hunter acquaintance for the observation of Kashmir Markhor, Gahirat Castle Hotel 1912.

There are several hotels in the Chitral area that belong to the former Chitral princely state. Gahirat Castle 1912 is one of that and it has a private game reserve of 95,000 hectares, where about 700 Kashmir Markhors live.

 

In the morning and evening, you can see Hindu Kush’s highest peak Tirich Mir 7,708m from the vicinity of the Gahirat Castle. The perfect view beyond the wide Chitral Valley.

 

Gahirat Community Game Reserve—It is in a mountainous area, upstream of the Gahirat River. It’s vegetation is an ideal environment for Kashmir Markhor and the valley is narrow which is suitable for our observation as well.

 

A female Kashmir Markhor continuously looking at us.

In 2009, when the current owner began protecting Kashmir Markhor, the game reserve had only about 60 Kashmir Markhor.   Consequently through protection in accordance with the rules of trophy hunting and enforcement of laws against illegal hunting, it is said that number has increased to about 700 as of 2019.

Trophy hunting at the Gahirat Community Game Reserve has a quota of one Kashmir Markhor per year.  The amount of shooting permit from the government starts from about USD 100,000 (It is a surprise).  This is a system in which a hunting company drops it at an auction and sells it to customers. Most of this revenue is returned to the community. Nine gamekeepers were cracking down on illegal hunting for one trophy hunting in this game reserve.

 

Official trophy hunting began in 2000 at Gahirat Community Game Reserve, and there are 18 records by 2019.  The trophy hunting is limited to those old males with more than 40 inches horns.

The Kashmir Markhor displayed in the hotel’s living room is the trophy of the current owner’s grandfather, with 58 inches horn, the third-largest Kashmir Markhor trophy in the world.

To be honest, I don’t accept hunting or trophy hunting but I think it’s much better than the time when illegal hunting was rampant, encouraging local residents to understand conservation even the purpose for Trophy hunting.

 

Finally, when you come back from the Game Reserve, Gahirat Castle 1912 is a wonderful place to stay.  When you enter the building, you will be greeted by the historical heritage gems.

 

Pair of Himalayan Bulbul.

 

At 6:30 in the morning, you can hear the birds chirping. A blissful moment to go out in the middle of the garden and observe the birds.
I observed a good number of Himalayan Bulbul, White-eared Bulbul, Blue-whistling Thrush, Great Tit, Eurasian tree sparrow, Bank Myna, Streaked Laughingthrush, etc.
A great stay in nature, the Gahirat Castle 1912.

 

Photo & text : Mariko SAWADA
Visit :Oct 2019, Gahirat Castle 1912 & Gahirat Community Game Reserve, Chitral, Khyber Pakhtunkhwa

Category : ◆Khyber Pakhtunkhwa > - Markhor > - Chitral > ◇ Wildlife of Pakistan
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Kashmir Markhor Mother and Kid just across the river!

In the mountainous and rugged area near Chitral, there are several places where Kashmir Markhor can be observed.

Markhor is the national animal of Pakistan. There are 4 subspecies; Astor Markhor, Kabul Markhor, Kashmir Markhor, and Suleiman Markhor inhabited in Pakistan.
Indeed, Pakistan is surprisingly a country with a plethora of Markhors.

 

In theTooshi-Shasha Conservancy, on the other side of the river along the way to Garam Chashma (hot spring) from Chitral, several groups of Markhor come to drink water from the river in the afternoon.

During this tour we observed a female Markhor and her kid very closely from the river side. But, only female and kid… Where is male?
Males spend most of the year  high on the mountains and they descend to low altitudes for mating in month of  December.

 

Markhor not only comes to drink water, but also to eat the leaves and bushes that grow on the river bank.

Kashmir Markhor climbing a tree!

 

Both mother and kid are standing on hind legs & eating.

 

Yes, you have to eat well before the harsh winters start!

 

During the visit, we did not get information about number of Markhor  in the Tooshi-Shasha Conservancy. But at at the Chitral Gol National Park nearby, it is said that the number of Markhor has increased to about 2,500.

In fact, I was able to meet Kashmir Markhor easily both in Tooshi-Shasha Conservancy and Chitral Gol National Park. Next time I would like to see “the male Markhor”.

 

Photo & Text: Mariko SAWADA
Visit : Oct 2019, Tooshi Game Reserve, Chitral , Khyber Pakhtunkhwa

Category : ◆Khyber Pakhtunkhwa > - Markhor > - Chitral
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Religion of Kalash Valley

The Kalash’s religion is considered to be closer to Vedic and Pre-Zoroastrian cultures, even though it has a valuable existence that retains the old form of the Indo-Aryan religion. There is a God of Creator “Dezau” and many gods. There are gods closely related to life and nature, such as “Balumain”, “Sajigor” and “Mahan Deva” which appear at the Chaumos Festival and the goddess “Jestak” who protects the house. The place of prayer is called Dewa, and in each village has small altar at temple of Jestak han and the outskirts of the village.

 

Temple of Jestak han

Jestak is a goddess who controls the family, housework, marriage and each clan has a temple, not every village.There is a sheep motif at the entrance, Laternendeke ceiling which is typical in Pamir architecture decorations. There is a wood carving on the back of the temple that shows “Balumain” and there is mural painting from the Chaumos Festival.


There are two clans living in Karakal village in Bomboret Valley, and Jastak han has two entrances for each clan in one building.
The picture is Jastak han of Anish village. Designs and decorations inspired by goats and sheep. Laternendeke ceilings of typical architectural styles specific to mountains of Pakistan, Tajikistan and the Wakhan Corridor area.

 

The Gandao – Wooden statue

A wooden image created to admire the memories of dead person, contributions, and achievements. The production and rituals of this Gandao are very expensive and require a lot of goats, cheese and ghee. Thus, it can only be created by the rich men who are influential. In Bomboret Valley, two sons made two Gandao for their father and uncle, who died more than 10 years ago in Brun village in 2008. (It can still be seen in the Brun village cemetery).
The Gandao is at the center of the ceremonial place. People dance around it and after the ritual is completed, the Gandao is transported to the graveyard.

 

Cemetery Mandawjaw

The original burial of Kalash was to only put body in a wooden coffin and place in a cemetery. But about 50 years ago, they started practicing burial like Muslims. At present, things that seem to be whitening are old things about 50 years ago. In the past, it was said that if not covering the coffin, it was easy for the soul to free and naturally weatherable.

 

“Pure” and “Impure” concept

The Kalasha has the strong concept for “Pure” and “Impure” in their life. Therefore, there are many rituals to purify the things that they believe are impure.
The representative one is Bashari. It is a hut where women during menstruation gather and live together. Delivery is also carried out here, and after the delivery it is possible to return to the house where the husband is eagerly waiting after the purification ceremony. There is one in each village, and women in Bashari who are under menstruation should not touch others. For example, to pass the things to other person, She can throw it but cannot hand it over.

In short, it’s not easy to understand just by talking. You must visit here and see it for yourself !

Photo & Text  : Mariko SAWADA
※  The photo was taken during the visit between 2006 and 2014.

Category : ◆Khyber Pakhtunkhwa > - Kalash Valley
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