Butkara I – Gandhara Site of the Swat Valley

Butkara I is an archaeological site in the Swat Valley, which was one of the centers of Gandhara. It is known for its main stupa, which dates back to the 3rd century B.C. to King Ashoka of the Maurya Empire, and for the 272 votive stupas that surround it. Butkara I has not only a group of stupas, but also a monastery and other buildings—though that part has not yet been excavated, and houses have already been built on top of it.

The site was excavated between 1956 and 1962 by the Italian Archaeological Mission and the Department of Archaeology of the Government of Pakistan. The site dates back to the 3rd century B.C. during the Maurya Empire and is believed to have been in use until around the 11th century A.D.

The main stupa, with its circular Sanchi-shaped base, was enlarged five times over the centuries, with the oldest part, a 3rd century B.C. Maurya Empire stupa. Part of the excavation site reveals the process of its expansion.

Around the main stupa, there is a path that devotees walked along to the right. The visitors must have worshipped not only the stupa but also the reliefs carved on the drum.

The paths around the stupa are covered with paving stones, and some of them still have glass decorations.

This seated Buddha relief was excavated from a layer containing coins of Azes II of the Indo-Scythians, dated 35-12 B.C., so the relief is considered to date to the late 1st century B.C. or early posterior AD. Conservative archaeologists believe it dates to the 1st or 2nd century AD, since the Buddha image is believed to have appeared later. The origin of the Buddha image has always been one of the major themes of Gandhara art. The date of the Buddha image’s appearance continues to be debated.

Let’s take a look at the votive stupa surrounding the main stupa. This votive stupa is a small stupa-shaped structure built around the main stupa. It is thought to have been donated by the royalty and nobility of the time. Votive stupas were also objects of worship at that time.

This is part of the relief on the square base of the votive stupa. This figure may be a depiction of the Great Departure from the life of the Buddha, in which the beloved horse Kanthaka is licking Siddhartha’s feet and farewells him. This votive stupa may have been decorated with motifs favored by the donor.

Relief of grapes on a votive stupa

The head of a tiger depicted in relief. In the lower right is a delicately carved Corinthian capital.

Tigers are believed to have become extinct in Pakistan around 1900. At that time, Bengal tigers must have roamed the rich Swat forests.

Relief of a person holding a bowl in a memorial service.

Relief of a votive stupa, Triratna (the Three Jewels). It depicts the three chakras which represent the Dharma, the Buddha, and the Sangha, as objects of worship.

The motif is not known due to the large number of missing parts. The material used for the sculpture is generally green phyllite.

Here are some of the Butkara I artifacts on display at the Swat Museum. I picked out some items that are unique to Swat.

Artifacts from Butkara I: A panel showing a scene from the life of Buddha: Siddhartha Going to School. This scene in Gandhara depicts him going to school riding on a sheep. Sometimes he rides directly on the sheep, and sometimes he rides in a sheep-led cart. So far, no theories seem to explain the reason for this.

Artifact from Butkara I: A female figure of an aristocrat of the time. She is wearing a very gorgeous hair ornament, showing the Swat customs of the time.

Artifact from Butkara I: Likewise, a statue that seems to represent an aristocratic woman of the time. The costume and decoration of the woman holding a lotus flower in one hand is beautifully depicted.

Artifact from Butkara I: This relief used to be at the site but was moved to the Swat Museum. In the scene of Siddhartha’s supposed “Engagement,” the prince Siddhartha stands in the center, the rightmost figure is a shy Yashodhara, and beside him is the priest that introduces Yashodhara. To the left of Siddhartha is a kneeling Mara and around her are Mara’s three daughters. Mara is depicted as a symbol of worldliness and a preventer of Siddhartha’s enlightenment.

Corinthian capital. It depicts a woman, possibly the donor, with acanthus leaves.

The Swat Museum has rooms for exhibiting artifacts from Barikot, the Saidu Sharif Stupa, and Butkara I. Please take your time to visit the museum.

↓↓ Butkara – Gandhara site of Pakistan

Butkara I – Although now surrounded by residential areas, a record of a visit by the Chinese monk Song Yun in AD 520 describes the very ornate Butkara Stupa complex.

 

Image & text: Mariko SAWADA

References: The Life of Buddha, by Isao Kurita, etc.

*Contact us, Indus Caravan for more information or to make arrangements for visiting Gandhara site in Pakistan & Afghanistan.

*Please follow us on YoutubeInstagram & Facebook

Category : = Video Clip KPK > - Swat > ◆Khyber Pakhtunkhwa
Tag : , , , , , , , , , , , , ,

Rock Carvings of Shatial, – Silk Road heritage – soon to be submerged in the Indus river dam

This blog is documenting the precious Silk Road heritage site, the ‘Indus rock carvings’, which will be lost forever in a few years when two dams on the Indus River are completed.

 

Stunning stupa depictions and inscriptions, “rock carvings of Shatial”

Shatial Rock Carvings, on a slope slightly off the Karakoram Highway down to the Indus River, located on the south bank of the Indus, between the Darel Valley to the east and the Tangir Valley to the west, were very important site for travelers, trade caravans and pilgrims on the Silk Road.

The rock carving ranges from those considered pre-Buddhist to those from the Gandhara heyday and post-Gandhara eras.

Firstly, the picture below shows the most famous rock carving in Shatial site. This rock art is impactful enough to elicit “wow!” response even from an ordinary tourist.

In the center of the rock is a large, delicately depicted stupa with many bells. On the left is a depiction of the “Sibi Jataka” and on the right is a votive stupa.

On the left side of the rock, the name of the stupa’s builder is inscribed in Kharoshthi script (or Gāndhārī, ancient Indo-Iranian script), which dates back to the 5th century.
Between the stupa and the votive stupa the names of people who lived back then (perhaps, some dignitaries) are inscribed in Brahmi and Sogdian script.

Two devotees dressed in Central Asian-style costumes approach the main stupa from three stepping stones. This staircase leads to a plinth decorated with a ‘four-stepped design’. Two pillars support the beam and the domed stupa. Bells are also attached to the beam, stupa and niche.
The stupa is topped by a series of umbrellas, from the top most of which hang down banners on either side like an arch. Small bells are also attached to the umbrellas, making this rock engraving different and novel from the other stupas.

The votive stupa to the right of the main stupa has four steps leading up to a high base, depicting a triangular stupa with a series of umbrellas above it and flags billowing and fluttering. It is a different style of depiction from the main stupa.

This figure on the left shows the ‘Sibi Jataka’.

 

About Sibi Jataka

(The Jataka is the stories of former lives of the Buddha )

There was a kind-hearted king named King Sibi.
A dove chased by a falcon flew to King Sibi and asked for help.

The falcon came to King Sibi and said, “I have not eaten for many days and if I do not eat the dove, I will die from starvation. Whose life do you consider more important, the dove’s or mine?”

So King Sibi thought that the falcon’s life is also important, so he cut off a piece of meat from his own leg, weighing the same as the dove, and placed it on the balance. But the dove was heavier, so he cut off the flesh again and placed it on the balance, but the weights were not equal.

King Sibi thought deeply and put his own body on the balance, and it balanced. The king said to the hawk, “Please eat me and get well”.
King Sibi tried to save the dove’s life by giving his own life to the falcon.

The falcon, knowing King Sibi’s heart, appeared to him in the form of Indra God and he saluted King Sibi’s action by saying, “You will become a Buddha in the future”.

 

In this rock carving, the Buddha sits in a cave, holding a ‘dove’ in his hand. The person depicted on the right holds a balance. The object on the balance is the flesh of King Sibi, which was cut off to save the dove’s life.
Below the Buddha holding the dove, devotees are depicted on both sides.

The above description is just one of many stories behind carvings in the main stupa. Shatial site has many other unique, valuable iconographies.

This is the carving on the rock opposite the main stupa, “Yantra”, a holy set of symbols at the center to the right, and “Labyrinth” on the bottom left.

 

Above and below are Sogdian tamga, emblems used by ancient Eurasian sedentary and nomadic tribes and their influenced cultures, represented in rock carving.

Sogdian Tamga

It’s difficult to see, but can you see the person holding what looks like a cup?

This is a rock carving of Sogdian performing a ritual in front of an altar, most probably. Probably a fire worship ritual?

 

 

 

 

 

Other animal rock carvings are depicted by people who walked the Silk Road. The rock carvings in the upper Indus, Gilgit and Hunza river basins are mainly ibex wild goat, with snow leopards and markhors goats, but here we see camels and elephants depicted.

The elephant figures remind us of the proximity to India. Apart from the picture below, there were several rock carvings that appeared to be camels and elephants, but only those that more or less certain are shown here.

Petroglyph of Bactrian Camel
Petroglyph of Goose
Petroglyph of Bactrian Camel

There is always something new to discover at the Shatial site.

By the way, the village seen from the rock carving site is full of dwellings that have been built at a rapid pace to get compensation for the submerged dwellings caused by the dam. The environment around the ancient rock carving has changed considerably.

 

Photo & text : Mariko SAWADA

*About the article: the article is based on an old book. I wonder if other views and explanations exist. I would be very happy if you could let me know so that I can study it.

Reference :”Huma records on Karakoeum Highway”, ” The Indus, cradle and crossroad of civilizations”

*Contact us, Indus Caravan for more information or to make arrangements for visiting Rock carving along the Indus.

*Please follow us on YoutubeInstagram & Facebook

Category : - Indus river bank > ◆Khyber Pakhtunkhwa > ◇ Rock carvings / Petroglyph > ◇ Heritage of Pakistan
Tag : , , , , , , , , , , , , , , , , , , , , ,

Appreciating the Remaining Rock Art & Lamenting Their Impending Loss (Part 3) Shatial

This blog is about the rock art from Shatial. It is known as a “Buddhist site” because a huge pagoda petroglyph, which is included in many of the tours to visit the Hunza region. This time, I was able to take a leisurely tour to look around more, and I found that there are many other rare works than just the famous pagoda.

Rock engraving of the pagoda, buddha image

Since Shatial is such a well-used transit point to cross the Indus River, since ancient times, many merchants, pilgrims, travelers, as well as Buddhists, have passed through. Many distinct designs and images were carved by the travelers. I will introduce a number of these rarer rock engraving.

A person who is raising their right hand

At first glance, it may seem that this person raising their right arm up, may be angry or upset, but the round halo behind his head indicates that this person was an Enlightened Buddha.

A Swastika symbol

This 卍represents a swastika, which is a symbol of Buddhism along with the Dharmachakra wheel.

PitchforkThis is a three-pronged pitchfork. You can try to imagine whether it was used as a weapon, a religious symbol or for agriculture, but either way, it has been in use since ancient times.

Ancient characters engraved on the rock

There are not only pictures but also various writing engraved on the stones. It is believed to be languages like Karosti, Sogdian, Aramaic, and more which have been found here.

The center image to me, looked like three fingers with nails, but it may actually be depicting a plant.

This looks like a Buddha statue with Naga in the background, but it also looks like a flame, so there is a theory that it is a fire worship platform.

A person wearing a mask

This is a person wearing a round mask with horns. The person is also wearing a skirt-like outfit which was very interesting.

Many animals were also depicted as well.

The face of a camel

The camels were an essential animal for the travelers in their journey along the Silk Road.

An elephant

Did the Indian elephants come this far up?

It was a small image, but animals like antelope were also engraved.

In Shatiar, various things were engraved in rock paintings; things used by ancient people of that time, the things they saw, and objects they worshiped. Just looking at this timeless rock art made me feel like I travelled back in time and experienced part of the hustle and bustle of daily life on the Silk Road.

Photo & text : Koji YAMADA

Visit : Nov 2021, Shatial, Khyber Pakhtunkhwa

Category : - the Karakoram Highway > ◆Khyber Pakhtunkhwa > - Indus river bank > ◇ Rock carvings / Petroglyph > ◇ Heritage of Pakistan
Tag : , , , , , , , , , , , , , , , , , , , ,

Visiting the Rambur Valley Home of the Kalash

Visiting the Rambur Valley, where the Kalash live. It has been a long time since my last visit. I was thrilled to meet these beautiful young ladies.

The village scene at dusk. The valley’s steep slopes are used as a base for these lively dwellings.

Here is a Pashtun street merchant who was selling plates on the corner. The young lady is negotiating with the man, but instead of money, she placed some walnuts in the bowl she wanted to buy and handed it to him. They are bartering! The white bag behind him, to the left of the photo, is full of walnuts.

Going further into the village. The ditch full of trash caught my attention.

This lady was sewing on the terrace. She was using a sewing machine powered by her foot pedal. This is one of the beautiful sights of the Kalash Valley.

These young girls were playing a rock-kicking game. It is like an old Japanese children’s game! It really surprised me how similar it is.

The girls didn’t mind at all when the camera was pointed at them, and just continue to play their game. Some of the youngsters said proudly, “Foreigners take photos of us and publish them in books.” I really enjoyed spending time with these fairy-like girls, but the time came, and I needed to leave the valley.

This is the view of Tirich Mir (7,708m/25,288 feet), the highest peak in the Hindu Kush region. The view on the way through Ayun and Kalash Valleys, of this high peak, is one of the bonus scenes of this trip.

 

Photo & text : Mariko SAWADA

Visit : Nov 2021, Rambur, Kalash Valley, Khyber-Pakhtunkhwa

*Contact us, Indus Caravan for more information or to make arrangements for visiting Kalash valley.

*Please follow us on YoutubeInstagram & Facebook

Category : ◆Khyber Pakhtunkhwa > - Kalash Valley
Tag : , , , , , , , , , , , , , , , , , , , , , ,

Kalash Valley: November in the Bumburet Village

In early November, I visited the Bumburet Valley. If I had a chance to go a little earlier, I could have seen the Corn Harvest season, but instead I was there during the time of everyone preparing for the coming of winter.
In this time of the year, there are very few tourists and the village is pretty quiet.

We traveled through the town of Ayun to get to the Kalash Valley. This is the amazing view along the way. The towering Tirich Mir (7,708m/25,288 feet), the highest peak in the Hindu Kush, appears over the hills of Ayun. The massive form shines in the morning sunlight.

After crossing this suspension bridge, we come to the junction of the Bumburet and Rambur Valleys. We head west here and continue on to Bumburet.

The Kalash homes started to come into view. The wooden houses are built into the slopes, making efficient use of the terrace and roofs.

These young girls who were playing with a baby goat caught my attention. She has such a charming, fairy-like beauty.

I went up these stairs, made from a hollowed-out tree, to the shaman lady’s house.

This is the terrace of the shaman’s house. According to her, she has the power to foresee the future and find things people had lost, so the people asked her to become a shaman.

Inside the shaman’s house. With the light only coming in from the doorway, the traditional lifestyle of the Kalash people is simple.

These wooden statues stood in the village funeral parlour.

The handmade wine made by the Kalash people, I found it so good.

This woman is threshing crops on her roof. This is a scene that is unique to the harvest season.

It filled me with so much happiness to revisit a school teacher home in Anish village, I found daughter has now become a mother! I used to visit them often, so this is the best memory.

The last time I could visit Bumburet Village was 2 years ago. The Muslim population is increasing and the number of Kalash girls wearing hijabs was higher than before. The color of the handmade embroidery on the traditional folk clothing was quite popular and flashy.

Over the past 30 years, as a tour guide for Saiyu Travel, I have seen the decline of the traditional ethnic lifestyles and clothing in various parts of the world. For the people, the more things become more modernized, their life also becomes easier, so it means these traditional ways are lost voluntarily. But still, it makes me sad to see the sudden shift away from ancient traditions and beliefs. I send strong prayers that these precious ethnic minorities like the Kalash can hold on their culture and rich traditions as part of the Islamic Republic of Pakistan.

 

Photos & text: Mariko SAWADA
Visit: Nov 2021, Bumburet, Kalash Valley, Khyber-Pakhtunkhwa

Category : ◆Khyber Pakhtunkhwa > - Kalash Valley
Tag : , , , , , , , , , , , , , , , , , , , , , ,

Kalash Valley’s Bumburet and Rambur

This is a video that highlights the scenery of the Kalash Valley when we visited in October. In the past when we visited Bumburet village, it was during the tourist season and quite crowded with domestic tourists.

However, by the middle of October, there were very few visitors at this time of year and the village was quiet.

 

KALASH VALLEY Bumburet & Rambur|カラーシャの谷(ボンボレット&ランブール)

 

Image : Mariko SAWADA

Visit : Oct 2021, Bomboret & Rambur, Kalash valley, Khyber Pakhtunkhwa

Category : = Video Clip KPK > ◆ Video Breathtaking Views of Pakistan > ◆Khyber Pakhtunkhwa > - Kalash Valley
Tag : , , , , , , , , , , , , , , , , , , , , , ,

Crossing the Shandur Pass in the Autumn

In late October, Northern Pakistan’s poplar trees turn a golden hue, making it the most beautiful season of the year. Travel from Gilgit to Shandur Pass through the Ghizer District is spectacular. With less traffic in the valley, the view along the road is one of the best.

On this day, we left Gupis to travel towards Chitral. There were rows of golden poplar trees reflecting the sun against the clear autumn sky. However, as we kept stopping to get photos of the dynamic landscape, our progress getting to Chitral was quite slow.

As we made our way uphill to Phandar, we found a herd of yaks that were being gathered together. Due to snow in the higher elevations, they were being brought down and were being herded together to be taken to their pasture lands.

A view of the bridge near Phandar. In the past, many of the suspension bridges like this were made of stone, wood and wire. But they are steadily being replaced by concrete bridges made by China. As a photographer, it is sad to see these kinds of bridges getting phased out.

Eventually, we started up the Shandur Pass. We saw a donkey caravan passing us as they were heading down, loaded with fuel for their fires during the cold winter. Their heavy load was packed with materials for firewood, including dried cow and yak droppings

Shandur Pass at the altitude of 3,700m (12,140 ft). The Gilgit-Baltistan and Khyber-Pakhtunkhwa boarder is here. At the check post, all the foreigners will be asked to confirm their documents here.

When mentioning Shandur Pass, it is worth noting that it is famous for the “World’s highest altitude Polo Competition” the Shandur Polo Festival, which takes place in the summertime. The stadium was also covered by the snow.

This is a lake covered in ice on the Shandur Pass. This part of the road is extremely difficult to pass where the melting snow and sand mixes together into a muddy mess, causing a chaotic scene. 。

The steady, dependable vehicle of choice on these rough back country roads, is what is locally called the “Toyota Jeep.” These Toyota Land Cruisers from the 1970’s and 80’s are the go-to vehicle and have been retrofitted with the “Northern Pakistan Kit” both inside and out, which is designed to take a beating, but to get you to your destination.

These older jeep-type cars have been declining recently as newer land cruiser models become more popular, which is coming from Afghanistan into Gilgit-Baltistan and Khyber Pakhtunkhwa (Non Custom Paid Cars).

Even so, when it comes to driving in the snow, these rugged cars have a track record for being the most dependable. I’m so glad to know that even now, such an old Japanese car is still so heavily relied upon in the mountains of Pakistan. It is playing a vital role of connecting a remote village and delivering the supplies they need.

As we made our way down from the Shandur Pass, at the foot of the mountains, we stopped for a late lunch in the village of Laspur. We had lentils, curry made of freshly harvested potatoes, chicken curry, rice pilaf and naan.

In Laspur, this father and his daughter were running the wonderful “chaihana”. I was enchanted by the smile of this young lady.

We continued on our journey, taking the rough road to Mastuj, and then on to Chitral. By the time we arrived in Chitral, it was already dark.

 

Image & text : Mariko SAWADA

Visit  :Oct 2021, Gupis, Phandar, Shandur Pass – Gilgit-Baltistan & Khyber pakhtunkhwa

Category : ◆ Gilgit-Baltistan > - Shandur Pass > - Ghizer / Shandur Pass
Tag : , , , , , , , , , , , , , , ,

(Video) The Pakistan Railway Journey : From Peshwar to Rawal Pindi!

Taken from the train, going from Peshwar to Rawal Pindi, this video summaries the scenery during our journey on the Pakistan Railway.
Previously, I posted a blog about the highlights of the “Crossing the Indus River by Pakistan’s Tain,” but this time I could make video, summarized into 2 minutes and 43 seconds, starting from the town of Peshwar to the arrival of Rawal Pindi, including the tunnel along the way.

The Pakistan Railway was built as part of the colonial management during the British Empire’s colonization of the Indian Empire, with 7,791 kilometers of track that runs from Torkham, on Afghanistan’s boarder, to Karachi. From the time of independence to the present day, the nostalgic feeling of the colonial era buildings and operations are maintained for a good Railway journey in which we can still enjoy “The Pakistan Railway.”

 

The Pakistan Railway Journey, From Peshawal to Rawal Pindi

 

Videography: Mariko SAWADA
Boarded on: Feb 2020, the Pakistan Railway between Peshawar (Khyber Pakhtunkhwa) to Rohri (Sindh)

*Contact us, Indus Caravan for more information of Railway trip.

*Please follow us on YoutubeInstagram & Facebook

Category : = Video Clip KPK > = Video Clip Punjab > - Monument / Heritage of Punjab > ◆ Video Breathtaking Views of Pakistan > - Peshawar / Khyber Pass > ◆Khyber Pakhtunkhwa > ◆ Punjab > ◇ Pakistan Railways
Tag : , , , , , , , , , , , , ,

Plumbeous water redstart (Chitral)

We found a male Plumbeous water redstart on the banks of the river running through Tooshi-Shasha Conservancy near Chitral, Khyber Pakhtunkhwa.

 

Unfortunately, it was raining; it seemed like it would turn into snow soon enough. We came in search of markhor, as we were told they often come to the riverbanks in the afternoon. So, we waited. That was when we observed both the Plumbeous water redstart and the White-capped water redstart.

 

A male Plumbeous water redstart displaying, with its tail wings spread out.

These redstarts breed in South Asia, Southeast Asia and China at altitudes of 2,000 meters to 4,000 m and then in winter, they will descend to slightly lower altitudes to overwinter there. In Pakistan, they are found in the mountainous areas in the north where the altitude is not so high, and it seems to be common near Chitral and Murree.

 

As we looked up at the mountainous slopes above the river, we could see a herd of Kashmir Markhor coming down towards us. And among them was a big male with a pair of enviable horns!

 

Photo & Text: Mariko SAWADA
Observation: Dec 2020, Tooshi-Shasha Conservancy, Chitral, Khyber Pakhtunkhwa
Reference: Helm Field Guides “Birds of Pakistan”

Category : ◆Khyber Pakhtunkhwa > - Chitral > ◇ Birds of Pakistan
Tag : , , , , , , , , , , , , , , , , , ,

Eversmann’s redstart(Chitral Gol National Park)

Found wintering in the Northern mountain ranges of Pakistan, the Rufous-backed Redstart (Eversmann’s Redstart), can be found at altitudes of 1,500 to 2,500 meters. They can sometimes be spotted on the mountain slopes of Gilgit-Baltistan to Khyber Pakhtunkhwa.

This is the male Eversmann’s Redstart.

 

In the summer, they breed in the high-altitude mountainous regions of Central Asia and South Siberia. Then, migrating south to Iraq, southern Iran, the Arabian Peninsula, northwestern Pakistan and northwestern India, they will spend their winters in the mountains.

 

I saw this bird at Chitral Gol National Park in northern Chitral. We came here to observe the Markhol, but was able to observe this redstart on the mountain slopes while we were waiting for the Markhol to descend.

 

Photo & text: Mariko SAWADA
Observation: Dec 2020, Chitral Gol National Park, Chitral, Khyber-Pakhtunkhwa
Reference: Helm Field Guide “Birds of Pakistan”

Category : ◆Khyber Pakhtunkhwa > - Chitral Gol National Park > ◇ Birds of Pakistan
Tag : , , , , , , , , , , , , , , , ,